I typically ignore the New York Times‘ “On the Runway” fashion reporting. It’s not that I’m not interested in fashion, both personally and as a cultural phenomenon, but rather that articles about fashion shows and other events in the world of haute couture are so abstruse, they might as well be business section news about “On I.P.O, CDW to Fall Short of Boom-Era Valuation” or “S.E.C. to Vote on Proposal to Overhaul Money Funds.” They might as well be about the N.B.A. draft. Fashion reporters say things like “there was a bilge of chore jackets” and “Wherever Mr. Jones goes, he never loses sight of Vuitton’s sensibility….What Mr. Jones managed to reserve from the distilled American elements was a casual attitude.” While conventional trend pieces strain too hard for relevance, high-fashion trend pieces take place in a rarefied world of tastemakers we’ve never heard of and cultural watersheds that have utterly failed to have any effect on us. But it’s time to get over this aversion. It’s time to learn what an honest-to-God fashion trend looks like, courtesy of Suzy Menkes’s “In London, All Hail the Suit.”
In the past, this blog has perused the New York Times for insights on how to be cool. Today, we turn to a more weighty topic. While coolness is of abiding interest to lifestyle journalists, many of the luminaries profiled in the Times‘ pages transcend mere hipness; they are consummate examples of human perfection, without flaws either inside or out. How can we emulate them? Let’s find out.